The Silverado Squatters — Text and Context
Edition facts
Before opening The Silverado Squatters — Text and Context, the edition data offers a quick orientation: 34,889 words, 2 hr 32 min estimated reading time, and 3 detected text sections.
The text analysis averages about 24.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “California -- Description and travel,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
unty families, at least, endowed for life with a ship’s kettle. Come, this was no misspent Sunday. The absence of the kettles told its own story: our Jews said nothing about them; but, on the other hand, they said many kind and comely things about the people they had met. The two women, in particular, had been charmed out of themselves by the sight of a young girl surrounded by her admirers; all evening, it appeared, they had been triumphing together in the girl’s innocent successes, and to this natural and unselfish joy they gave expression in language that was beautiful by its simplicity and truth.
Take them for all in all, few people have done my heart more good; they seemed so thoroughly entitled to happiness, and to enjoy it in so large a measure and so free from after-thought; almost they persuaded me to be a Jew. There was, indeed, a chink of money in their talk. They particularly commanded people who were well to do. “_He_ don’t care—ain’t it?” was their highest word of commendation to an individual fate; and here I seem to grasp the root of their philosophy—it was to be free from care, to be free to make these Sunday wanderings, that they so eagerly pursued after wealth; and all this carefulness was to be careless. The fine, good humour of all three seemed to declare they had attained their end. Yet there was the other side to it; and the recipients of kettles perhaps cared greatly.
No sooner had they returned, than the scene of yesterday began again. The horses were not even tied with a straw rope this time—it was not worth while; and Kelmar disappeared into the bar, leaving them under a tree on the other side of the road. I had to devote myself. I stood under the shadow of that tree for, I suppose, hard upon an hour, and had not the heart to be angry. Once some one remembered me, and brought me out half a tumblerful of the playful, innocuous American cocktail. I drank it, and lo! veins of living fire ran down my leg; and then a focus of conflagration remained seated in my stomach, not unpleasantly, for quarter of an hour. I love these sweet, fiery pangs, but I will not court them. The bulk of the time I spent in repeating as much French poetry as I could remember to the horses, who seemed to enjoy it hugely. And now it went—
“O ma vieille Font-georges Où volent les rouges-gorges:”
and again, to a more trampling measure—
“Et tout tremble, Irun, Coïmbre, Sautander, Almodovar, Sitôt qu’on entend le timbre Des cymbales do Bivar.”
The redbreasts and the brooks of Europe, in that dry and songless land; brave old names and wars, strong cities, cymbals, and bright armour, in that nook of the mountain, sacred only to the Indian and the bear! This is still the strangest thing in all man’s travelling, that he should carry about with him incongruous memories. There is no foreign land; it is the traveller only that is foreign, and now and again, by a flash of recollection, lights up the contrasts of the earth.
But while I was thus wandering in my fancy, great feats had been transacted in the bar. Corwin the bold had fallen, Kelmar was again crowned with laurels, and the last of the ship’s kettles had changed hands. If I had ever doubted the purity of Kelmar’s motives, if I had ever suspected him of a single eye to business in his eternal dallyings, now at least, when the last kettle was disposed of, my suspicions must have been allayed. I dare not guess how much more time was wasted; nor how often we drove off, merely to drive back again and renew interrupted conversations about nothing, before the Toll House was fairly left behind. Alas! and not a mile down the grade there stands a ranche in a sunny vineyard, and here we must all dismount again and enter.
Only the old lady was at home, Mrs. Guele, a brown old Swiss dame, the picture of honesty; and with her we drank a bottle of wine and had an age-long conversation, which would have been highly delightful if Fanny and I had not been faint with hunger. The ladies each narrated the story of her marriage, our two Hebrews with the prettiest combination of sentiment and financial bathos. Abramina, specially, endeared herself with every word. She was as simple, natural, and engaging as a kid that should have been brought up to the business of a money-changer. One touch was so resplendently Hebraic that I cannot pass it over. When her “old man” wrote home for her from America, her old man’s family would not intrust her with the money for the passage, till she had bound herself by an oath—on her knees, I think she said—not to employ it otherwise.
This had tickled Abramina hugely, but I think it tickled me fully more.
Mrs. Guele told of her home-sickness up here in the long winters; of her honest, country-woman troubles and alarms upon the journey; how in the bank at Frankfort she had feared lest the banker, after having taken her cheque, should deny all knowledge of it—a fear I have myself every time I go to a bank; and how crossing the Luneburger Heath, an old lady, witnessing her trouble and finding whither she was bound, had given her “the blessing of a person eighty years old, which would be sure to bring her safely to the States. And the first thing I did,” added Mrs. Guele, “was to fall downstairs.”
At length we got out of the house, and some of us into the trap, when—judgment of Heaven!—here came Mr. Guele from his vineyard. So another quarter of an hour went by; till at length, at our earnest pleading, we set forth again in earnest, Fanny and I white-faced and silent, but the Jews still smiling. The heart fails me. There was yet another stoppage! And we drove at last into Calistoga past two in the afternoon, Fanny and I having breakfasted at six in the morning, eight mortal hours before. We were a pallid couple; but still the Jews were smiling.
So ended our excursion with the village usurers; and, now that it was done, we had no more idea of the nature of the business, nor of the part we had been playing in it, than the child unborn. That all the people we had met were the slaves of Kelmar, though in various degrees of servitude; that we ourselves had been sent up the mountain in the interests of none but Kelmar; that the money we laid out, dollar by dollar, cent by cent, and through the hands of various intermediaries, should all hop ultimately into Kelmar’s till;—these were facts that we only grew to recognize in the course of time and by the accumulation of evidence. At length all doubt was quieted, when one of the kettle-holders confessed. Stopping his trap in the moonlight, a little way out of Calistoga, he told me, in so many words, that he dare not show face therewith an empty pocket. “You see, I don’t mind if it was only five dollars, Mr. Stevens,” he said, “but I must give Mr. Kelmar _something_.”
Even now, when the whole tyranny is plain to me, I cannot find it in my heart to be as angry as perhaps I should be with the Hebrew tyrant. The whole game of business is beggar my neighbour; and though perhaps that game looks uglier when played at such close quarters and on so small a scale, it is none the more intrinsically inhumane for that. The village usurer is not so sad a feature of humanity and human progress as the millionaire manufacturer, fattening on the toil and loss of thousands, and yet declaiming from the platform against the greed and dishonesty of landlords. If it were fair for Cobden to buy up land from owners whom he thought unconscious of its proper value, it was fair enough for my Russian Jew to give credit to his farmers. Kelmar, if he was unconscious of the beam in his own eye, was at least silent in the matter of his brother’s mote.
THERE were four of us squatters—myself and my wife, the King and Queen of Silverado; Sam, the Crown Prince; and Chuchu, the Grand Duke. Chuchu, a setter crossed with spaniel, was the most unsuited for a rough life. He had been nurtured tenderly in the society of ladies; his heart was large and soft; he regarded the sofa-cushion as a bed-rook necessary of existence. Though about the size of a sheep, he loved to sit in ladies’ laps; he never said a bad word in all his blameless days; and if he had seen a flute, I am sure he could have played upon it by nature. It may seem hard to say it of a dog, but Chuchu was a tame cat.
The king and queen, the grand duke, and a basket of cold provender for immediate use, set forth from Calistoga in a double buggy; the crown prince, on horseback, led the way like an outrider. Bags and boxes and a second-hand stove were to follow close upon our heels by Hanson’s team.
It was a beautiful still day; the sky was one field of azure. Not a leaf moved, not a speck appeared in heaven. Only from the summit of the mountain one little snowy wisp of cloud after another kept detaching itself, like smoke from a volcano, and blowing southward in some high stream of air: Mount Saint Helena still at her interminable task, making the weather, like a Lapland witch.
By noon we had come in sight of the mill: a great brown building, half-way up the hill, big as a factory, two stories high, and with tanks and ladders along the roof; which, as a pendicle of Silverado mine, we held to be an outlying province of our own. Thither, then, we went, crossing the valley by a grassy trail; and there lunched out of the basket, sitting in a kind of portico, and wondering, while we ate, at this great bulk of useless building. Through a chink we could look far down into the interior, and see sunbeams floating in the dust and striking on tier after tier of silent, rusty machinery. It cost six thousand dollars, twelve hundred English sovereigns; and now, here it stands deserted, like the temple of a forgotten religion, the busy millers toiling somewhere else. All the time we were there, mill and mill town showed no sign of life; that part of the mountain-side, which is very open and green, was tenanted by no living creature but ourselves and the insects; and nothing stirred but the cloud manufactory upon the mountain summit. It was odd to compare this with the former days, when the engine was in fall blast, the mill palpitating to its strokes, and the carts came rattling down from Silverado, charged with ore.
By two we had been landed at the mine, the buggy was gone again, and we were left to our own reflections and the basket of cold provender, until Hanson should arrive. Hot as it was by the sun, there was something chill in such a home-coming, in that world of wreck and rust, splinter and rolling gravel, where for so many years no fire had smoked.
Silverado platform filled the whole width of the canyon. Above, as I have said, this was a wild, red, stony gully in the mountains; but below it was a wooded dingle. And through this, I was told, there had gone a path between the mine and the Toll House—our natural north-west passage to civilization. I found and followed it, clearing my way as I went through fallen branches and dead trees. It went straight down that steep canyon, till it brought you out abruptly over the roofs of the hotel. There was nowhere any break in the descent. It almost seemed as if, were you to drop a stone down the old iron chute at our platform, it would never rest until it hopped upon the Toll House shingles. Signs were not wanting of the ancient greatness of Silverado. The footpath was well marked, and had been well trodden in the old clays by thirsty miners. And far down, buried in foliage, deep out of sight of Silverado, I came on a last outpost of the mine—a mound of gravel, some wreck of wooden aqueduct, and the mouth of a tunnel, like a treasure grotto in a fairy story. A stream of water, fed by the invisible leakage from our shaft, and dyed red with cinnabar or iron, ran trippingly forth out of the bowels of the cave; and, looking far under the arch, I could see something like an iron lantern fastened on the rocky wall. It was a promising spot for the imagination. No boy could have left it unexplored.
The stream thenceforward stole along the bottom of the dingle, and made, for that dry land, a pleasant warbling in the leaves. Once, I suppose, it ran splashing down the whole length of the canyon, but now its head waters had been tapped by the shaft at Silverado, and for a great part of its course it wandered sunless among the joints of the mountain. No wonder that it should better its pace when it sees, far before it, daylight whitening in the arch, or that it should come trotting forth into the sunlight with a song.
The two stages had gone by when I got down, and the Toll House stood, dozing in sun and dust and silence, like a place enchanted. My mission was after hay for bedding, and that I was readily promised. But when I mentioned that we were waiting for Rufe, the people shook their heads. Rufe was not a regular man any way, it seemed; and if he got playing poker—Well, poker was too many for Rufe. I had not yet heard them bracketted together; but it seemed a natural conjunction, and commended itself swiftly to my fears; and as soon as I returned to Silverado and had told my story, we practically gave Hanson up, and set ourselves to do what we could find do-able in our desert-island state.
The lower room had been the assayer’s office. The floor was thick with _débris_—part human, from the former occupants; part natural, sifted in by mountain winds. In a sea of red dust there swam or floated sticks, boards, hay, straw, stones, and paper; ancient newspapers, above all—for the newspaper, especially when torn, soon becomes an antiquity—and bills of the Silverado boarding-house, some dated Silverado, some Calistoga Mine. Here is one, verbatim; and if any one can calculate the scale of charges, he has my envious admiration.
Calistoga Mine, May 3rd, 1875. John Stanley To S. Chapman, Cr. To board from April 1st, to April 30 $25 75 ,, ,, ,, May 1st, to 3rd . . . 2 00 27 75
Where is John Stanley mining now? Where is S. Chapman, within whose hospitable walls we were to lodge? The date was but five years old, but in that time the world had changed for Silverado; like Palmyra in the desert, it had outlived its people and its purpose; we camped, like Layard, amid ruins, and these names spoke to us of prehistoric time. A boot-jack, a pair of boots, a dog-hutch, and these bills of Mr. Chapman’s were the only speaking relics that we disinterred from all that vast Silverado rubbish-heap; but what would I not have given to unearth a letter, a pocket-book, a diary, only a ledger, or a roll of names, to take me back, in a more personal manner, to the past? It pleases me, besides, to fancy that Stanley or Chapman, or one of their companions, may light upon this chronicle, and be struck by the name, and read some news of their anterior home, coming, as it were, out of a subsequent epoch of history in that quarter of the world.
As we were tumbling the mingled rubbish on the floor, kicking it with our feet, and groping for these written evidences of the past, Sam, with a somewhat whitened face, produced a paper bag. “What’s this?” said he. It contained a granulated powder, something the colour of Gregory’s Mixture, but rosier; and as there were several of the bags, and each more or less broken, the powder was spread widely on the floor. Had any of us ever seen giant powder? No, nobody had; and instantly there grew up in my mind a shadowy belief, verging with every moment nearer to certitude, that I had somewhere heard somebody describe it as just such a powder as the one around us. I have learnt since that it is a substance not unlike tallow, and is made up in rolls for all the world like tallow candles.
Fanny, to add to our happiness, told us a story of a gentleman who had camped one night, like ourselves, by a deserted mine. He was a handy, thrifty fellow, and looked right and left for plunder, but all he could lay his hands on was a can of oil. After dark he had to see to the horses with a lantern; and not to miss an opportunity, filled up his lamp from the oil can. Thus equipped, he set forth into the forest. A little while after, his friends heard a loud explosion; the mountain echoes bellowed, and then all was still. On examination, the can proved to contain oil, with the trifling addition of nitro-glycerine; but no research disclosed a trace of either man or lantern.
It was a pretty sight, after this anecdote, to see us sweeping out the giant powder. It seemed never to be far enough away. And, after all, it was only some rock pounded for assay.
So much for the lower room. We scraped some of the rougher dirt off the floor, and left it. That was our sitting-room and kitchen, though there was nothing to sit upon but the table, and no provision for a fire except a hole in the roof of the room above, which had once contained the chimney of a stove.
To that upper room we now proceeded. There were the eighteen bunks in a double tier, nine on either hand, where from eighteen to thirty-six miners had once snored together all night long, John Stanley, perhaps, snoring loudest. There was the roof, with a hole in it through which the sun now shot an arrow. There was the floor, in much the same state as the one below, though, perhaps, there was more hay, and certainly there was the added ingredient of broken glass, the man who stole the window-frames having apparently made a miscarriage with this one. Without a broom, without hay or bedding, we could but look about us with a beginning of despair. The one bright arrow of day, in that gaunt and shattered barrack, made the rest look dirtier and darker, and the sight drove us at last into the open.
Here, also, the handiwork of man lay ruined: but the plants were all alive and thriving; the view below was fresh with the colours of nature; and we had exchanged a dim, human garret for a corner, even although it were untidy, of the blue hall of heaven. Not a bird, not a beast, not a reptile. There was no noise in that part of the world, save when we passed beside the staging, and heard the water musically falling in the shaft.
We wandered to and fro. We searched among that drift of lumber-wood and iron, nails and rails, and sleepers and the wheels of tracks. We gazed up the cleft into the bosom of the mountain. We sat by the margin of the dump and saw, far below us, the green treetops standing still in the clear air. Beautiful perfumes, breaths of bay, resin, and nutmeg, came to us more often and grew sweeter and sharper as the afternoon declined. But still there was no word of Hanson.
Stevenson opens The Silverado Squatters by situating Mount Saint Helena as a local Mont Blanc, its peak visible from three counties, its soil warm with cinnabar. The book is not a travelogue of grand sights but a record of living on the mountain's side—in a deserted mining shack with his wife, Fanny. From the first pages, Stevenson establishes a double perspective: the geographer's eye that sees San Francisco Bay and the Sierras, and the squatter's ear that hears talk of bucks, bears, and rattlesnakes. The tension between these views—the panoramic and the intimate—shapes every chapter.
The Squatter's Eye vs. the Tourist's Gaze
Stevenson deliberately refuses the role of the summary globe-trotter. Where a tourist might seek the Petrified Forest or Napa's wine valleys, Stevenson lingers on the act of squatting: patching doors, making beds, unpacking in a kitchen. The book's structure mirrors this shift: the first part, “In the Valley,” moves through Calistoga and the petrified forest, but the second part, “With the Children of Israel,” enters Silverado proper. The turning point is the arrival at the mine—a place of “toils and pleasures,” not sights.
The prose itself enacts this tension. Stevenson describes the view from the summit as “an excellent lesson of geography,” yet he undercuts the panoramic with the particular: the “splashing brooks” in spring, the “cliffy shoulders” of the mountain. He is a writer who sees both the map and the mud on his boots.
Irvine Lovelands and the Problem of Character
One of the most vivid figures in the excerpts is Irvine Lovelands, a local hired to cut firewood. Stevenson portrays him with a mixture of anthropological curiosity and personal irritation. Irvine chews pine-tree gum, spits profusely, and laughs “loud, discordant, joyless” when the amateur carpenters fail. He boasts of poisoning a dog in revenge for his own dog being poisoned—a moral symmetry that Stevenson finds both repellent and revealing.
Stevenson's description is precise: Irvine's “tangle of shock hair, the colour of wool,” his “leggy, coltish” physique, his habit of “loaf” and “oaf.” The author does not sentimentalize the local character. Instead, he presents Irvine as a puzzle—a man whose mind is “cumbrously at work, revolving the problem of existence like a quid of gum.” This is not a romanticized frontier portrait but a study in awkwardness, pride, and limited intelligence.
The Mine as Domestic Space
Silverado is not a mine of riches but a ruin. Stevenson and his wife occupy a “rough lodging” in an abandoned mining camp, and much of the narrative concerns the mundane work of making it habitable. The excerpts show them “patching up doors and windows, making beds and seats.” The kitchen becomes a stage for encounters with neighbors like Irvine and his sister, who “sat on one side” while the Stevensons worked.
This domestic focus is deliberate. Stevenson titles a chapter “The Act of Squatting,” treating the legal and practical dimensions of claiming an abandoned space. The mine is not a source of ore but of shelter, and the book's drama lies in the collision between the wild setting and the civilized routines of cooking, cleaning, and receiving visitors. The fogs that roll in from the sea, described in a separate chapter, become a kind of weather of the soul—an external pressure on the fragile domestic interior.
Readers should approach The Silverado Squatters not as a straightforward travel book but as a hybrid: part memoir, part natural history, part character sketch. Stevenson's eye is always moving between the grand and the granular. Pay attention to the small details—the taste of pine gum, the sound of a laugh, the feel of a patched door—because it is through these that the book builds its quiet, unsentimental portrait of a place and a season.
Stevenson’s makeshift life in that empty mining town made me think about how we carry our own comforts into strange places, hoping they’ll anchor us. Your copy of Miscellanea Curiosa, Vol. 3 containing a collection of curious travels, voyages, and natural histories of countries as they have been delivered in to the Royal Society — A Reader’s Guide feels like a quiet companion to that—curiosity as a gentle home, wherever the ground shifts.
-
Herbert Hess - 1 month ago
Robert Louis Stevenson's account of his honeymoon in a abandoned mining camp in California is utterly charming. His descriptions of the rugged landscape and the eccentric characters he meets are lively and evocative. The book is a perfect blend of humor, adventure, and poetic observation. A delightful read that showcases Stevenson's genius beyond his famous novels. -
Denise Cody Williams - 1 month ago
This memoir of Stevenson's time in the Napa Valley is both engaging and quirky. The writing is vivid and captures the spirit of the place, but the narrative is somewhat episodic and lacks a strong plot. Still, fans of Stevenson will enjoy his personal reflections and the glimpse into early California life. A pleasant, if not essential, read. -
Jason Matthew Torres - 1 week ago
While Stevenson's prose is often beautiful, 'The Silverado Squatters' fails to sustain interest. The story is thin, mostly describing the mundane details of his makeshift home life. The characters are barely sketched, and the book feels more like a collection of pleasant musings than a compelling narrative. It's a minor work that will appeal mainly to Stevenson completists.
Record your reading impressions
A brief reflection can help important ideas stay with you longer.
Benjamin Thomas
2 weeks ago