Incidents of Travel in Yucatan, Vol. II. — Inside the Classic
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Departure from Nohcacab.--Outfit.--Rancho of Chack.--Fright of the Women.--Rancho of Schawill--Casa Real.--Scarcity of Water.--Visit from the Alcalde.--Primitive Mode of obtaining Water.--A peculiar People.--Ruins of Zayi.--Great tree-covered Mound.--The Casa Grande.--Fortunate Discovery.--Staircase.--Doorways, &c.--Buildings on the second Terrace.--Doorways.--Curiously ornamented Columns.--Building on the third Terrace.--Doorways, Apartments, &c.--Stone Lintels.--Facade of the second Range of Buildings.--Ground Plan of the three Ranges.--The Casa Cerrada.--Doorways filled up inside with Stone and Mortar.--Finished Apartments, also filled up.--This filling up simultaneous with the Erection of the Building.--A Mound.--Ruined Building.--Its Interior.--Sculptured Head, &c.--A strange Structure.--An Archway.--Perpendicular Wall.--Stuccoed Figures and Ornaments.--Great Terrace and Building.--Apartments, &c.--Want of Interest manifested by the Indians in regard to these Ruins.
Visit to a ruined Building near Chack.--A Field of Taje.--Description of the Building.--Hornet's Nest.--Young Vulture.--Picturesque View from the Terrace.--Well of Chack.--Exploration of its Passages.--Return to the Rancho.--Departure from Schawill--The Camino Real.--Rancho of Sennacte.--Wild Appearance of the Indians.--Continued Scarcity of Water.--Another ruined City.--Two ruined Buildings.--Apartments, Columns, &c.--High Wall.--Journey continued.--Rancho of Sabachshe.--Casa Real.--Well--Hut of the Alcalde.--The Senora.--Ruins of Sabachshe.--Picturesque Edifice.--Alacrity of the Indians.--Facade.--Pilasters, Cornices, &c.--Encounter with an Iguana.--Another Ruined Building.--The Agave Americana.--More Ruins.--The Red Hand.--The Red Hand used as a Symbol by the North American Indians.--Conclusions to be deduced from this Circumstance.--Delicate Manner of doing a Service.
Ruins of Labna.--Accounts of the Indians not to be relied on.--Irretrievable Ruin.--Extraordinary Structure.--Doorways.--Chambers.--Gigantic Wall, covered with Designs in Stucco.--Death's Heads.--Human Figures in Alto Relievo.--Colossal Figure seated.--Large Ball and Figures.--Dilapidated State of this Structure.--An arched Gateway.--Other Buildings.--Richly ornamented Doorway.--Courtyard.--Ornaments in Stucco.--Large Building.--Magnificent Edifice.--Facade ornamented with sculptured Stone.--Circular Hole leading to a subterranean Chamber.--The Ramon Tree.--A Cave.--Conversation with the Indians.--A Ride to the Hacienda of Tabi.--Sculptured Ornament.--Other Figures.--Visit to a Cave.--Tree-encumbered Path.--A Vaquero.--Descent into the Cave.--Fanciful Scene.--Return to the Rancho.--A Warm Bath.
Search for Ruined Cities continued.--Journey to the Rancho of Kewick.--Ruined Building.--Lose the Road.--Set right by an Indian.--Arrival at Kewick.--The Casa Real.--Visit from the Proprietor of the Rancho, a full-blooded Indian.--His Character.--Visit to the Ruins.--Garrapatas.--Old Walls.--Facades.--Imposing Scene of Ruins.--Principal Doorway.--Apartments.--Curious Painting.--Excavating a Stone.--A long Building.--Other Ruins.--Continued Scarcity of Water.--Visit to a Cave, called by the Indians Actum.--A wild Scene.--An Aguada.--Return to the Casa Real.--A Crisis in Money Matters.--Journey to Xul.--Entry into the Village.--The Convent.--Reception.--The Cura of Xul.--His Character.--Mingling of Old Things with New.--The Church.--A Levee.--A Welcome Arrival.
Journey to the Rancho of Nohcacab.--A Fountain and Seybo Tree.--Arrival at the Rancho.--Its Appearance.--A sick Trio.--Effects of a good Breakfast.--Visit to the Ruins.--Terrace and Buildings.--Three other Buildings.--Character of these Ruins.--Disappointment.--Return to Xul.--Visit to another ruined City.--Ruined Building.--An Arch, plastered and covered with Painted Figures.--Other Paintings.--Subterranean Well.--Return to the Village.--Journey to Ticul.--Large Mounds.--Passage of the Sierra.--Grand View.--Arrival at Ticul.--A Village Festival.--Ball of the Mestizas.--Costumes.--Dance of the Toros.--Lassoing Cattle.--Ball by Daylight.--The Fiscales.--Ludicrous Scene.--A Dance.--Love in a Phrensy.--A unique Breakfast.--Close of the Ball.
Bull-fights.--Horse-race.--Bull-fighters.--Their villanous Appearance.--Death of a Bull.--A Ball of Etiquette.--Society in Yucatan.--Costumes at the Ball.--More Bull-fights.--A Mestiza.--Scenes in the Bull-ring.--A Storm.--Dispersion of the Spectators.--A Discovery.--A new Reformation in Yucatan.--Celibacy of Priests.--A few Words about the Padres.--Arrival of Mr. Catherwood and Dr. Cabot.--Rain.--Daguerreotyping.--"The Ancient Chronology of Yucatan."--Don Pio Perez.--Calendar of the Ancient Indians.--Substantially the same with that of the Mexicans.--This Fact tends to show the common Origin of the aboriginal Inhabitants of Yucatan and Mexico.
Return to Nohcacab.--Final Departure from this Village.--An Indian Sexton.--Route.--"Old Walls."--Ruins of Sacbey.--Paved Road.--Journey continued.--Ruins of Xampon.--Imposing Edifice.--"Old Walls," called by Indians Xlapphak.--Ruins of Hiokowitz and Kuepak.--Zekilna.--Altar for burning Copal.--Ancient Terrace.--Lofty stone Structure.--Remains of a Building.--Sculptured Stones.--Platform.--Rancho of Chunhuhu.--Become involuntary Masters of a Hut.--Its interior Arrangements.--Scarcity of Water.--Pressing Wants.--Visit to the Ruins.--Two Buildings.--Facade.--Ornamented Doorways.--Welcome Visiters.--Another Building.--Plastered Front.--A Building seen from the Terrace.--Visit to the Ruins of Schoolhoke.--Large stone Structure.--Ranges of Buildings.--Circular Stone.--Ruined Edifice.--Representations of Human Figures.--Return to the Rancho.--Benefits of a Rain.
Journey to Bolonchen.--Bad Road.--Large Hacienda.--Imposing Gateway.--An inhospitable Host.--Ruins of Ytsimpte.--Ruined Edifice.--Staircase with sculptured Stones.--Square Building.--Facade decorated with Pillars.--Ruined Walls.--Remains of a sculptured Figure.--Character and Aspect of the Ruins.--Departure.--Arrival at the Village of Bolonchen.--Scene of Contentment.--Wells.--Derivation of the Word Bolonchen.--Origin of the Wells unknown.--The Cura.--Visit to an extraordinary Cave.--Entrance to it.--Precipitous Descents.--A wild Scene.--Rude Ladders.--Dangers of the Descent.--Indian Name of this Cave.--A subterranean Ball-room.--Cavernous Chamber.--Numerous Passages.--Great Number of Ladders.--Rocky Basin of Water.--Great Depth of the Cave.--A Bath in the Basin.--Its Indian Name.--Return to the Rocky Chamber.--Exploration of another Passage.--Another Basin.--Indian Stories.--Two other Passages and Basins.--Seven Basins in all.--Indian Names of the remaining five.--Want of Philosophical Instruments.--Surface of the Country.--This Cave the sole Watering-place of a large Indian Village.--Return.--Visit to the Cura.--Report of more Ruins.
Departure from Bolonchen.--Lose the Road.--Sugar Rancho.--A new Section of Country.--Rancho of Santa Rosa.--Annoyance from Fleas.--Visit to the Ruins of Labphak.--A lofty Structure.--Apartments, &c.--Staircases.--Doorways.--Interesting Discovery.--Courtyard.--Square Building on the second Terrace.--Ornaments in Stucco.--Oblong Building on the third Terrace.--Colossal Figures and Ornaments.--Centre Apartment.--Tokens of recent Occupation.--Ground Plan of the lower Range of Apartments.--Sculptured Bas-reliefs.--Builders adapted their Style to the Materials at Hand.--Abode at the Ruins.--Wants.--Moonlight Scene.--Painting.--Circular Holes.--Range of Buildings.--Staircases.--Ornaments in Stucco.--Rain.--Love of the Marvellous.
Departure from Labphak.--Sugar Ranchos.--Hacienda of Jalasac.--Cultivation of Sugar.--Another Rancho.--Its neat Appearance.--Senor Trego's Establishment.--A Well.--Seybo Trees.--Journey resumed.--Village of Iturbide.--Its Settlement and rapid Growth.--An Acquaintance.--Oppressive Attentions.--Lunar Rainbow.--Appearance of the Village.--Mound of Ruins.--Visit to the Ruins of Zibilnocac.--A Well.--A long Edifice.--Lazy Escort.--An anxious Host.--Return to the Village.--A prosperous Emigrant.--A Dinner.--Medical Practice.--Deplorable Condition of the Country in regard to Medical Aid.--Second Visit to the Ruins.--Front of an Edifice.--Square Structures.--Interesting Painting.--An ancient Well.--Mounds.--Vestiges of a great City.
End of Journey in this Direction.--Lake of Peten.--Probable Existence of Ruins in the Wilderness.--Islands in the Lake of Peten.--Peten Grande.--Mission of two Monks.--Great Idol of the Figure of a Horse.--Broken by the Monks, who in Consequence are obliged to leave the Island.--Second Mission of the Monks.--Sent away by the Indians.--Expedition of Don Martin Ursua.--Arrival at the Island.--Attacked by the Indians, who are defeated.--Don Martin takes Possession of Itza.--Temples and Idols of the Indians.--Destroyed by the Spaniards.--Flight of the Indians into the Wilderness.--Preparations.--Illness of Mr. Catherwood.--Effects of Gambling.--From the Church to the Gaming-table.--How People live at Iturbide.--Departure.--Rancho of Noyaxche.
Journey resumed.--An Aguada.--The Aguadas artificial, and built by the Aboriginal Inhabitants.--Examination of one by Senor Trego.--Its Construction.--Ancient Wells.--Pits.--A Sugar Rancho.--Rancho of 'Y-a-Walthel.--Rancho of Choop.--Arrival at Macoba.--The Ruins.--Lodgings in a miserable Hut.--Wells.--Ruined Buildings.--Another Aguada.--Pits.--Astonishment of the Indians.--Falling in Love at first Sight.--Interesting Characters.--Departure.--Thick Undergrowth.--Rancho of Puut.--An Incident.--Situation of the Rancho.--Water.--Ruins of Mankeesh.
Rancho of Jalal.--Picturesque Aguada.--Excavations made in it by the Indians.--System of Aguadas.--Journey resumed.--Lose the Road.--An Effort in the Maya Language.--Grove of Orange Trees.--Ruins of Yakatzib.--Dilapidated Edifice.--Stony Sierra.--Village of Becanchen.--Hospitality.--Sculptured Stones.--Wells.--Running Stream of Water.--Derivation of the Word Becanchen.--Rapid Growth of the Village.--Source of the Water of the Wells.--Accident to an Indian.--The Party separate.--Aguadas.--A Trogon.--Hacienda of Zaccacal.--Visit to the Ruins.--Stone Terrace.--Circular Hole.--Two Buildings.--Garrapatas.--Black Ants.--Return.
Village of San Jose.--Thatched Church.--The Cura--A refractory Indian.--Attachment of the Indians.--Journey to Mani.--The Sierra.--Hacienda of Santa Maria.--A ruined Mound.--Good Road.--Arrival at the City of Tekax.--A bloodless Revolution.--Situation and Appearance of the City.--An interesting Meeting.--Curiosity of the People.--Akil.--The Site of a ruined City:--Sculptured Stones.--Journey resumed.--Arrival at Mani.--Historical Notice.--Tutul Xiu.--Embassy to the Lords of Zotuta.--Ambassadors murdered.--Mani the first interior Town that submitted to the Spaniards.--Scanty Supply of Water throughout the Country.--Important Consideration.--A touching Discovery.
Buying a Wardrobe.--Crowd of Loungers.--Visit to the Ruins.--A long Edifice built by the Spaniards.--Interesting Well.--Indian Legend.--The Mother of the Dwarf.--Exploration of the Well.--Remains of large Mounds.--Cogolludo.--Ancient and curious Painting.--Books and ancient Characters of the Indians burned by the Spaniards.--Archives of Mani.--Important Documents.--Ancient Map.--Instrument endorsed on its Back.--Important Bearing of these Documents.--What was Uxmal?--Argument.--No Vestiges of a Spanish Town at Uxmal.--Churches erected by the Spaniards in all their Settlements.--No Indications of a Church at Uxmal.--Conclusions.--Suspicions of the People.--Church and Convent.--Extensive View from the Top of the Church.
Departure from Mani.--Ornithology of Yucatan.--Discoveries of Doctor Cabot.--Village of Tixmeach.--Peto.--Church and Convent.--News from Home.--Don Pio Perez.--Indian Almanac.--A Fragment of Maya Manuscript.--Journey resumed.--Taihxiu.--Yaxcala.--Piste.--Arrival at Chichen.--First Sight of the Ruins.--The Hacienda.--A strange Reception.--Lodgings.--Situation of the Ruins.--Mr. Burke.--Magnificent Appearance of the Ruins.--Derivation of the Word Chichen.--Senotes.--Different from those before presented.--Mischievous Boys.--Failure of the Corn Crop.
Plan of the Ruins.--An Edifice called Akatzeeb.--Doorways.--Apartments.--Circular Mass of Masonry.--Mysterious Chamber.--Sculptured Stone Tablet.---Majestic Pile of Building called the Monjas.--Hieroglyphics.--Rich Ornaments.--Doorways, Chambers, &c.--Remains of Painting.--The Eglesia, or Church.--Ornaments on the Facade.--Cartouches in Plaster.--Circular Edifice called the Caracol.--Apartment.--Staircase, having on each Side entwined Serpents.--Gigantic Head.--Doorways.--Paintings.--Building called Chichanchob.--Ornaments.--Row of Hieroglyphics.--Another Building.--Vestiges of Mounds and ruined Buildings.--Extraordinary Edifice, to which the Name Gymnasium or Tennis-court is given.--Ornamented Columns.--Sculptured Figures in Bas-relief.--Massive Stone Rings, with entwined Serpents.--Indian Sports.--Two Ranges of Buildings.--Procession of Tigers.--Sculptured Columns.--Figures in Bas-relief.--Richly-carved lintel.--Paintings. The Castillo.--Staircase.--Colossal Serpents' Heads.--Doorways.--Carved Lintels.--Jambs ornamented with Sculptured Figures.--Corridors.--Apartments.--Square Pillars, covered with Sculptured Figures.--Rows of Columns.--Occupation and Abandonment of Chichen by the Spaniards.--First Discovery of Chichen.--Senotes.
Departure from Chichen.--Village of Cawa.--Cuncunul.--Arrival at Valladolid.--An Accident.--Appearance of the City.--Don Pedro Baranda's Cotton Factory.--A Countryman.--Mexican Revolution.--The Indians as Soldiers.--Adventures of a Demonio.--Character of the People.--Gamecocks.--Difficulty of obtaining Information in regard to the Route.--Departure for the Coast.--Party of Indians.--Village of Chemax.--Fate of Molas the Pirate.--Discouraging Accounts.--Plans deranged.--The Convent.--The Cura.--Population of the Village.--Its early History.--Ruins of Coba.--Indian Sepulchre.--Relics.--A Penknife found in the Sepulchre.
Departure.--Journey to Yalahao.--Stony Road.--Arrival at the Port.--The Sea.--Appearance of the Village.--Bridge.--Springs.--Pirates.--Scarcity of Ramon.--The Castillo.--Its Garrison.--Don Vicente Albino.--An Incident.--Arrangements for a Voyage down the Coast.--Embarcation.--The Canoa El Sol.--Objects of the Voyage.--Point Moscheto.--Point Frances.--An Indian Fisherman.--Cape Catoche.--The first Landing-place of the Spaniards.--Island of Contoy.--Sea-birds.--Island of Mugeres.--Lafitte.--Harpooning a Turtle.--Different Kinds of Turtle.--Island of Kancune.--Point of Nesuc.--Sharks.--Moschetoes.--Bay of San Miguel.--Island of Cozumel.--Rancho established by the Pirate Molas.--Don Vicente Albino.--Mr. George Fisher.--Piratical Aspect of the Island.--A Well.--Plantation of Cotton.--Stroll along the Shore.
A crippled Dog.--Island of Cozumel known to the Natives by the Name of Cuzamil.--Discovered by Juan De Grijalva.--Extracts from the Itinerary of his Voyage.--Towers seen by the Spaniards.--An ancient Indian Village.--Temples.--Idols prostrated by the Spaniards.--Present State of the Island.--Overgrown with Trees.--Terrace and Building.--Another Building.--These Buildings probably the Towers seen by the Spaniards.--Identical with those on the Mainland.--Ruins of a Spanish Church.--Its History unknown.--Vanity of Human Expectations.--Opinion of the old Spanish Writers.--Their Belief that the Cross was found among the Indians as a Symbol of Christian Worship.--The "Cozumel Cross" at Merida.--Platform in Front of the Church.--Square Pillars.--Once supported Crosses.--The Cozumel Cross one of them.--The Cross never recognised by the Indians as a Symbol of Worship.--Rare Birds.--A Sudden Storm.--The Canoa in a Strait.--Fearful Apprehensions.
Search for the Canoa.--An Iron-bound Coast.--A wild Opening.--A sheltered Cove.--The Canoa found.--The Account of the Patron.--A Man overboard.--Return.--Sea-shells.--Departure from Cozumel.--Coast of Yucatan.--Square Buildings.--First Sight of the Castillo of Tuloom.--Rancho of Tancah.--Molas.--His two Sons.--Visit to the Ruins of Tuloom.--Buildings seen on the Way.--Magnificent Scenery.--The Castillo.--Front View.--Grand Staircase.--Columns.--Corridors.--The Red Hand.--The Wings of the Castillo, consisting of two Ranges.--Devices in Stucco.--Flat Roofs.--Back View of the Castillo.--A Storm.--Sudden Change of Feeling.--Ruined Buildings.--Square Terrace.--Picturesque Sight.--Fragments of Tablets.--Isolated Building.--Curious Figure.--Paintings.--Discovery of the City Wall.--Its good Preservation.--Gateways.--Watchtowers.--Buildings.--Ceilings constructed on a new Principle.--Onslaught of Moschetoes.
Discovery of a Building.--Two others.--Description of the first Building.--Ornaments in Stucco.--Columns.--Corridor.--Paintings.-- Central Chamber.--Altar.--Upper Story.--Stone Tablets.--Another Building.--Mutilated Figure.--Apartments.--Altar.--A third Building.--This City seen by the early Spanish Voyagers.--Continued to be occupied after the Conquest.--Adoratorios.--Accounts of ruined Cities in the Interior.--Return Voyage.--Sea-sickness.--Nesuc.-- Kancune.--Ruined Buildings.--Island of Mugeres.--Sea-birds.--Appearance of the Island.--A hideous Funeral Pile.--Ibises.--Lafitte.--Piratical Associations.--Confession of a Pirate.--Visit to the Ruins.--A lonely Edifice.--Grand Scene.--Corridors.--Inscriptions.--Square Building.--Account of Bernal Dias.--Departure from the Island.-- Catoche.--Yalahao.--Ancient Mound.--El Cuyo.--An old Acquaintance in Misfortune.
Port of Silan.--Hospitality.--Breakfast.--Walk along the Shore.-- Flamingoes.--Shooting Excursion to Punta Arenas.--Wild Road.--Take Possession of a Hut.--Great Variety and immense Numbers of Wild Fowl.--Get Stuck in the Mud.--Flamingoes and Spoonbills.--A ludicrous Adventure.--Dissection of Birds.--Return to the Port.--The Quartel.--A Catastrophe.--Departure.--Village of Silan.--Gigantic Mound.--View from its Top.--Another Mound.--Accounts of Herrera and Cogolludo.--The Grave of Lafitte.--Hospitality of the Padres.--Departure from Silan.--Temax.--Church and Convent.--Izamal.--Fiesta of Santa Cruz.--Appearance of the City.--Mounds.--Colossal Ornaments in Stucco.--Gigantic Head.--Stupendous Mound.--Interior Chambers.--Church and Convent.--Built on an ancient Mound.--A Legend.--A Ball.
Departure for Merida.--The Road.--Cacalchen.--Hacienda of Ake.--The Ruins.--Great Mound called the Palace.--Immense Staircase.--Grand Approach.--Columns.--No Remains of a Building on the Mound.--Other Mounds.--Interior Chamber.--A Senote.--Rude and Massive Character of these Ruins.--End of Journey among ruined Cities.--Number of Cities discovered.--Of the Builders of the American Cities.--Opinion.--Built by the Ancestors of the present Race of Indians.--Reply to Arguments urged against this Belief.--Absence of Tradition.--Unparalleled Circumstances which attended the Conquest.--Unscrupulous Policy of the Spaniards.--Want of Tradition not confined to Events before the Conquest.--Nor peculiar to American Ruins.--Degeneracy of the Indians.--Insufficiency of these Arguments.--Farewell to Ruins.
Departure.--Arrival at Merida.--Old Acquaintances.--Giraffes.--Aspect of the Political Horizon.--The great Question of the Revolution undecided.--Nomination of Deputies to the Mexican Congress.--Santa Ana's Ultimatum.--Dissensions.--Pitiable Condition of the State.--Cause of the Convulsions of the Southern Republics.--State Rights.--Preparations for Departure from the Country.--Invasion of Yucatan.--Parting with Friends.--Embarcation for Havana.--Arrival there.--A Paseo.--The Tomb of Columbus.--Passage Home.--Conclusion.
1. Frontispiece. 2. Front of the Casa Grande at Zayi 3. Facade of the farthest Building at Zaji 4. Ground Plan of the Casa Grande 5. Terrace and Building 6. Terrace and Building 7. Ruined Building 8. Building at Sabachshe 9. Building at Sabachshe 10. Pyramidal Mound and Building at Labna 11. Arched Gateway 12. Interior Front of Gateway 13. Portion of a Facade 14. Casa Real of Kewick 15. Doorway at Kewick 16. Curious Painting 17. Front of a Building 18. Building at Sacbey 19. Building at Xampon 20. Building at Chunhuhu 21. A Doorway 22. A Building 23. A Building 24. Entrance to a Cave at Bolonchen 25. Principal Staircase in the Cave 26. Section of the Cave 27. A grand Structure 28. Ground Plan 29. Bas-reliefs 30. Building at Zibilnocac 31. An Aguada 32. Building at Macoba 33. An Aguada 34. System of Aguadas 35. Map of Mani 36. Senote at Chichen 37. The Akatzeeb 38. Sculptured Stone Tablet 39. End Facade of the Monjas 40. Front of the Monjas 41. The Eglesia, or Church 42. The Caracol, a Circular Edifice 43. The Casa Colorada 44. Hieroglyphics 45. Picturesque View 46. Gymnasium, or Tennis Court 47. Sculptured Entwined Serpents 48. An Edifice 49. Figures in Bas-relief 50. Paintings 51. The Castillo 52. Staircase, with colossal Serpents' Heads 53. Sculptured Figure 54. An Apartment 55. Rows of Columns and Castillo 56. Port of Yalahao 57. Island of Cozumel 58. Square Building 59. Front View of the Castillo of Tuloom 60. Back View of the Castillo 61. An isolated Edifice 62. Plan of the City Wall 63. A Watch-tower 64. A Building 65. A Building 66. An Adoratorio 67. A lonely Edifice 68. Immense Mound 69. Gigantic Head 70. Mound called El Palacio
INCIDENTS OF TRAVEL IN YUCATAN.
Departure from Nohcacab.--Outfit.--Rancho of Chack.--Fright of the Women.--Rancho of Schawill--Casa Real.--Scarcity of Water.--Visit from the Alcalde.--Primitive Mode of obtaining Water.--A peculiar People.--Ruins of Zayi.--Great tree-covered Mound.--The Casa Grande.--Fortunate Discovery.--Staircase.--Doorways, &c.--Buildings on the second Terrace.--Doorways.--Curiously ornamented Columns.--Building on the third Terrace.--Doorways, Apartments, &c.--Stone Lintels.--Facade of the second Range of Buildings.--Ground Plan of the three Ranges.--The Casa Cerrada.--Doorways filled up inside with Stone and Mortar.--Finished Apartments, also filled up.--This filling up simultaneous with the Erection of the Building.--A Mound.--Ruined Building.--Its Interior.--Sculptured Head, &c.--A strange Structure.--An Archway.--Perpendicular Wall.--Stuccoed Figures and Ornaments.--Great Terrace and Building.--Apartments, &c.--Want of Interest manifested by the Indians in regard to these Ruins.
On the twenty-fourth of January we left Nohcacab. It was a great relief to bid farewell to this place, and the only regret attending our departure was the reflection that we should be obliged to return. The kindness and attentions of the padrecito and his brother, and, indeed, of all the villagers, had been unremitted, but the fatigue of riding twelve miles every day over the same ground, and the difficulty of procuring Indians to work, were a constant source of annoyance; besides which, we had a feeling that operated during the whole of our journey: wherever we were taken ill we became disgusted with the place, and were anxious to leave it.
We were setting out on a tour which, according to the plan laid out, embraced a circuit of ruins, and required us to revisit Nohcacab, although our return would be only to make it a point of departure in another direction.
In consequence of this plan we left behind all our heavy luggage, and carried with us only the Daguerreotype apparatus, hammocks, one large box containing our tin table service, a candlestick, bread, chocolate, coffee, and sugar, and a few changes of clothing in pestaquillas. Besides Albino and Bernaldo we had a puny lad of about fifteen, named Barnaby, a much smaller pattern than either of the others, and all three together were hardly equal in bulk to one fairly developed man.
Stephens opens Volume II with a departure from Nohcacab, immediately foregrounding the practical challenges of travel—outfit, water scarcity, and the wary reactions of local women. His narrative voice is that of a patient surveyor: he notes the Casa Real at Schawill, the primitive method of obtaining water, and the “peculiar People” he encounters. The ruins of Zayi are introduced through a “great tree-covered Mound,” and the description proceeds methodically: staircases, doorways, ornamented columns, and the curious Casa Cerrada with its doorways filled with stone and mortar. Stephens is careful to distinguish what he observes from what he infers, and he remarks on the Indians’ lack of interest in the ruins—a telling detail about the gulf between his antiquarian zeal and local priorities.
Architectural Precision and the Limits of Inference
Stephens’s descriptions of buildings at Zayi, Labnà, and elsewhere are remarkably systematic. He measures doorways, counts apartments, and notes materials such as “stone lintels” and stucco ornaments. At Labnà he records a “gigantic Wall, covered with Designs in Stucco,” including death’s heads and human figures in alto relievo. Yet he is candid about what he cannot determine: the purpose of filled-up apartments, the meaning of sculpted heads, or the original function of an “archway” and “perpendicular wall.” This restraint gives his account a documentary credibility. He does not speculate wildly; instead, he presents the physical evidence and lets the reader share his uncertainty. The recurring phrase “irretrievable ruin” underscores the fragility of what remains.
The Encounter at Mani: A Set Piece in Two Voices
Stephens devotes considerable space to the story of Tutul Xiu, the cacique of Mani, who approached the Spanish camp bearing a cross and offering submission. The narrative is drawn from Spanish sources, but Stephens shapes it with novelistic detail: the lowering of the chief from men’s shoulders, the laying down of bows, the kissing of the earth. He juxtaposes the Spanish perspective—the chaplain holding up a holy cross, the election of San Ildefonso as patron—with the Indian manuscript that preserves the names of accompanying caciques. The result is a layered account that acknowledges both the violence of conquest and the complexity of indigenous agency. Stephens does not gloss over the power imbalance, but he lets the actions of Tutul Xiu speak for themselves.
Diction of Discovery: “No Associations” and the Weight of Silence
One of the most striking passages in the volume is Stephens’s reflection that in all his journey through Yucatán “there were no associations.” He writes of riding “into places unknown beyond the boundaries of Yucatan, with no history attached to them, and touching no chord of feeling.” This is a remarkable admission from a travel writer who had previously written about Egypt and the Holy Land—places thick with biblical and classical resonance. In Yucatán, the ruins are mute; the Indians offer no explanations; the landscape yields no familiar reference points. Stephens’s prose becomes more tentative, more reliant on physical measurement, as if to compensate for the absence of narrative. The phrase “profound obscurity or the dim twilight” captures the epistemological condition of the archaeologist working without texts.
The Red Hand and the Limits of Symbolic Reading
At Sabachshé, Stephens notes a recurring motif: the “Red Hand” painted on walls. He observes that the same symbol was used by North American Indians, and he cautiously suggests “conclusions to be deduced from this circumstance.” But he does not overstate the connection. The passage is typical of his method: he records the detail, notes a parallel, and then leaves the inference to the reader. This restraint is especially notable given the era’s tendency toward grand comparative theories. Stephens’s voice remains that of a traveler who trusts his eyes more than his theories. The “Red Hand” becomes a quiet emblem of his approach—a sign that invites interpretation but resists easy closure.
Water, Labor, and the Texture of Daily Travel
Throughout the volume, Stephens interweaves archaeological description with the mundane realities of travel: the scarcity of water, the difficulty of hiring Indians as guides, the condition of the casa real (public lodging). At Chack he explores a well and its passages; at Sennacté he notes the “wild appearance of the Indians.” These details are not mere background; they shape the pace and possibility of discovery. Stephens cannot linger at a ruin if water is running out, and his observations are often cut short by practical necessity. The reader gains a sense of the physical cost of antiquarian work—the heat, the insects, the unreliable food. This texture gives the book a documentary honesty that separates it from more romantic travel narratives.
Stephens’s second volume rewards readers who attend to the interplay between description and silence. He records what he sees with care, but he also marks what he does not know—the missing histories, the unreadable symbols, the indifference of local inhabitants. The book is less a finished portrait of Yucatán than an archive of questions. For those interested in the practice of nineteenth-century archaeology, or in the challenge of writing about places without written records, this volume offers a model of disciplined observation and intellectual humility.
I remember how Stephens weighed every stone at Mani, as if the ruins might whisper their own quiet testimony. That same unhurried patience lives in The Motor Routes of France To the Châteaux of Touraine, Biarritz, the Pyrenees, the Riviera, & the Rhone Valley — Themes and Context, where roads themselves become measured sentences. Both books trust the traveler’s slow eye, honoring place without hurry. A dear, shared stillness sits between them.
Dylan Lee
1 week agoWilliam Brown
1 month agoAmelia Gonzalez
1 month ago-
Penny Cruz - 3 weeks ago
This book is a tedious read, with repetitive descriptions of ruins and a meandering narrative that gets lost in the author's personal musings. The theses are outdated, and the author's colonial perspective is evident throughout. While it has historical value, the style is too antiquated for most contemporary audiences. I'd recommend other, more accessible books on Maya civilization instead. -
Brandy Jacob King - 2 weeks ago
This second volume of travel in Yucatan is as captivating as the first. The author's passion for archaeology and ancient Maya culture shines through as he describes the ruins, the jungle, and the local people. His attention to detail and ability to weave historical context into the narrative makes this an immersive and educational read. Anyone interested in Mesoamerican history will treasure this book. -
Joseph Ramirez - 1 week ago
The book continues the author's exploration of Yucatan's archaeological treasures, offering a wealth of descriptions and insights. However, the prose can be overly romanticized, sometimes overshadowing the factual content. Additionally, the lack of modern photographs might reduce the visual appeal for some readers. Still, it's a solid read for those interested in the region's history.
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Olivia Baker
1 month ago