The Fortunate Isles: Life and Travel in Majorca, Minorca and Iviza — Reading Notes
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rcely room on board to move, yet up the species of hen-ladder that acted as gangway people were still streaming--ladies in mantillas, ladies with fans, ladies with babies, and men of every age, the men all smoking cigarettes.
Fortunately a recognized etiquette made those whose visits to the ship were of a purely complimentary nature confine themselves to the deck. When we descended to inspect our sleeping accommodation it was to find an individual cabin reserved for each of us; and to learn that, in spite of the mob on board, there were but four other saloon passengers. These, as we afterwards discovered, were a French honeymoon couple and a young Majorcan lady who was accompanied by her _dueña_.
Rain had been predicted, and was eagerly looked for, as none had fallen for many weeks. Yet it was a perfect evening. There was hardly a ripple on the water, and the air was soft and balmy. Behind the brilliant city with its myriads of lights rose the dark Catalonian mountains. Clustered near us in the harbour the crews of the fishing boats made wonderfully picturesque groups as they supped by the light of hanging lamps. And over all, high above the tall palms of the Paseo de Colon, the statue of Columbus pointed ever westwards.
Looking at the sparkling scene, it was difficult to credit that Barcelona, with its surface aspect of light-hearted gaiety, was under martial law, even though we had seen that alert-eyed armed soldiers guarded every street and alley, and knew that but a day or two earlier bombs had exploded with deadly effect where the crowds were now promenading. It was hard, too, to believe that at that moment the interest of all Europe was centred upon that sombre fortress to the south-west of the town, within whose walls, only five days earlier, Ferrer had, rightly or wrongly, met the death of a traitor.
The warning siren sounded. The visitors reluctantly scuttled down the ridiculous hen-ladder. The moorings were cast away, the screw revolved, and we were off--bound for the Fortunate Isles.
Out of many wondrous nights passed on strange waters I remember none more beautiful. We were almost alone on deck. So far as solitude went the _Balear_ might have been chartered for our exclusive use. The second-cabin passengers had all disappeared forward. The French bride and bridegroom had found a secluded nook in which to coo; and the vigilant _dueña_ had led her charge into retirement.
We three sat late into the night watching the lights of the beautiful city of unrest fade away into the distance, while over the sinister fortress of Montjuich the golden sickle of the new moon hung like a note of interrogation.
The Spanish coast had vanished. The ship's bow was pointing towards Africa, and wild-fire was flashing about the horizon when at last we descended to our cabins. The lightning was still flashing, but it was far in our wake, when we awoke about four in the morning to find the _Balear_ sailing along on an even keel, close by a mountainous coast whose highest promontory was crowned by a lighthouse.
Having dressed and refreshed ourselves with biscuits, and chocolate made over a spirit-lamp, we went on deck while it was yet dark, and watched the land gradually become more and more distinct with the broadening dawn. The Boy, who had early recognised something British in the build of our steamer, made the interesting discovery from the unobliterated lettering on her bell that, though now known as the _Balear_, the vessel had begun her career as the _Princess Maud_, one of a line of steamers coasting between Glasgow and Liverpool.
As the steamer skirted the picturesque coast we tried, not very effectively, it must be admitted, to pick out the bays and headlands history connects with Jaime, the valorous young King of Aragon, who, accompanied by a great fleet, set sail from Barcelona one September day early in the thirteenth century, determined to wrest Majorca from the tyranny of the Moors, who for hundreds of years had dominated it. But when we had decided that it must have been round _that_ point that his ships, with all lights extinguished, had crept at midnight to anchor in _this_ bay, the appearance of yet another point and another bay made us waver. Still, there could be no mistaking Porto Pi, with its beacon tower on the point where the Moors, warned of the approach of the enemy, gathered in force to resist his landing.
The sun was illumining the wooded slopes about the ancient castle of Bellver, and shining radiantly upon Palma, lighting up the spires of the noble Cathedral and the encompassing city walls, and shining upon the mountains beyond, as about half-past six we entered the harbour, to find the wharf already busy with people.
We had left grey gloom in London and in Paris. Here all was vivid and sparkling. The air was exhilarating, the port, with its nondescript craft, was a feast of colour. Voices speaking the island tongue sounded strangely in our unaccustomed ears. Our first impression of Palma was one of brightness: an impression conveyed partly by the warm amber and golden tints of the stone of which the charming city is built.
On the previous night we had thought the _Balear_ half empty; but with the morning many unguessed passengers made their appearance forward. The _guardia civil_, who was travelling with his little boy, producing a pocket-handkerchief, dipped it in a bucket of water and scrubbed his son's face till it shone, the child keeping up an excited chatter the while.
The honeymoon couple were early on deck looking out for the Grand Hotel omnibus. But we were nearly alongside the wharf before the young Majorcan lady, closely shadowed by her _dueña_, left her cabin.
After the manner of Spanish aristocrats when travelling, she was dressed in black, and carried a fan that seemed to go oddly with her smart hat. She had a beautiful figure, and the graceful carriage of her race. But an expression of discontent, as though she were already weary looking for something that might have been expected to happen but did not, lent an unbecoming droop to her well cut lips.
Her companion was a shrivelled little woman, whose gums were toothless and whose cheeks bore the pallor of enforced seclusion, but whose alert expression betokened generations of watchful patience. He would be an ingenious as well as an ardent lover whose attentions could escape the glint of those quiet eyes. A black mantilla covered her scant hair, a long semi-transparent shawl draped her narrow shoulders. In addition to her fan she held two parcels, one wrapped in green, the other in orange tissue-paper--a flimsy covering, surely, for a sea-passage.
We put ourselves in the care of the first porter who mounted the gangway--a handsome brigand with a slouch hat, curled moustaches, and yellow boots. Gathering up a mountain of light luggage in either hand, he tripped airily on shore, we meekly following.
A Spanish friend in London had recommended the _Fonda de Mallorca_ (locally known as "Barnils'") as the best specimen of a typical Majorcan hotel, and there we had decided to stay until our plans for the next few months were matured.
As we left the harbour the hotel omnibus drew up in front of the Customs Office, and for the third and last time on the journey the solemn farce of the examination of our luggage was gone through. This time it was altogether perfunctory. Not an article was opened. The trunks, which followed on a cart, must have been treated with like trustful generosity, for their keys never left our possession.
As our baggage included a double supply of artist's materials requisite for a six months' stay, it turned the scale at three hundred pounds. Between Charing Cross and Paris the overweight was charged 15s. 6d. From Paris to Barcelona we paid 35 francs. From there to Palma it travelled free. But though we saw fellow-travellers in variant stages of exasperation over vexatious claims, we paid no duty anywhere. Even the China tea that, unknown to my men-folk, I had smuggled, travelled unsuspected. And as tea in Majorca is a ransom, and Indian at the best, I had, while my small store lasted, an unfailing sense of satisfaction in my contraband possession.
The Hôtel Barnils gave us a cordial welcome. The grateful fragrance of hot coffee was in the air as we were taken upstairs and delivered into the care of Pedro, the chamber-man, who was smoking a cigarette as he cleaned the tiled corridors with a basin of damp sawdust and an ineffectual-looking broom.
Our suite of rooms on the second floor consisted of a tiny _salon_, from which on either side opened a bedroom. The smaller had a window to the Calle del Conquistador, the larger overlooked the inner courtyard with its potted palms and ginger-plants. All three rooms were papered alike in a pattern of large black and brown leaves on a yellow ground. The effect was decidedly bizarre. To those of a melancholy temperament it would assuredly have proved trying, even though there was a certain relief in the collection of French coloured lithographs that further adorned the walls.
Our sitting-room, which, like the bedrooms, was paved with tiles, had a tall window that opened to the floor and was guarded by an iron railing. It had two red-covered easy-chairs, four fawn brocade small chairs, and a round table with a yellow and drab tablecloth.
In an amazingly brief space we were seated round that table drinking coffee out of tall glasses, and making acquaintance with the _enciamada_, a local breakfast dainty which is neither pastry, bread, nor bun, yet appears to enjoy something of the good qualities of all three. In form it somewhat resembles the fossil known to our nursery days as an ammonite. To picture a nicely baked and browned ammonite that has been well dusted with icing-sugar is to see an _enciamada_.
The little breakfast over, we went out to explore the city. Up the street of the Conquistador people were hurrying: men bearing on their heads flat baskets filled with pink or silver fish that were still dripping from the Mediterranean, and women carrying empty baskets. Following the stream, we found ourselves in the market, which is surrounded by tall, many-storied buildings.
It was an animated scene. Everybody was busy--all the people who were not buying were selling. And round about were commodities that were strange to us. The fish-stalls, which were clustered in a corner by themselves, displayed odd fish, many of them repulsive-looking, and all, in our eyes, undersized. The meat stalls revealed joints of puzzling cut, and were garlanded with gamboge and vermilion sausages, as though the Majorcans' love of bright colours manifested itself even in the food they ate.
The more attractive aspect of the fruit and vegetables drew us up the alleys where the salesfolk sat placidly surrounded by huge gourds, radishes eighteen inches long, strange and unappetizing fungi. They had a varied assortment of goods, but the vegetable that appeared to dominate the market was the sweet pepper, or _pimiento_; everywhere it lay in heaps whose colour shaded from a vivid green to glowing scarlets and orange.
One or two ladies in mantillas were marketing, attended by maids whose hair, dressed in a single pleat, showed beneath the _rebozillo_ that is the national head-covering of the country-women.
One piece of buying, and one only, did I venture on. The Man's favourite fruit is the green fig, a commodity that in London costs on an average eighteenpence a dozen. Seeing a woman with a hamper of choice fresh figs, I proceeded to try how Majorcan prices compared with those of Britain. Taking warning by the experience of a friend who, having asked for half-a-crown's worth of grapes in a foreign market, found himself confronted with the impossibility of carrying away his purchase, I discreetly held out the local equivalent of a penny and pointed to the figs.
The vendor, seeing that I had no basket, held a brief colloquy with a neighbouring salesman, which resulted in the production of a piece of crumpled newspaper. Signing to me to open my hands, she spread it over them and began counting the figs into it, carefully selecting the finest specimens from her stock. Having heard that food was cheap in these fortunate isles, I confidently expected that my penny might purchase four green figs: but instead of stopping at a reasonable number, the woman went on piling them up until I felt inclined to say "Hold, enough!" When she desisted, the paper held a dozen juicy purple figs, and half a dozen of the golden green ones that are considered the more delicate in flavour.
A Spanish proverb declares that to reach perfection a ripe fig must have three qualifications: "A neck for the hangman, a robe for the beggar, a tear for the penitent." These had all the required attributes: the slender neck, the rent in the skin, the oozing drop of juice. Better figs, we imagined, were never eaten than the experimental pennyworth we bought that October day in Palma market.
The mind easily adjusts itself to existing conditions. A few minutes later it scarcely surprised us to see an old woman buy ten fine tomatoes for a halfpenny--or to hear her demand an eleventh as just value for her coin.
Leaving the market square, we wandered about the narrow streets, which, with their tall old houses and quaint _patios_--the spacious central courtyards--are full of picturesque scenes. Palma is densely populated, and the moving crowds gave us the impression of a people good-looking and well dressed as well as healthy and happy. Few of the ladies we met wore hats, and to me it appeared odd to see a lady in a well-cut tailor suit wearing a mantilla as, accompanied by her maid, she did her shopping.
Many of the native women had their hair in a long pigtail, and wore either the _rebozillo_--a neat white muslin headdress, in form like a diminutive hood with a collarette attached--or a coloured silk handkerchief, or both. A small fringed shawl usually covered their shoulders. But it was in the matter of footgear that the Majorcan fancy appeared to run riot. Yellow boots, green boots, cream-hued boots, elastic-sided orange boots were displayed on the feet of otherwise sedately-garbed people of both sexes; and the children wore slippers of lively shades embroidered with gay flowers.
When a sudden shower, descending with tropical force made us seek shelter in a doorway whence we watched the passers-by, we had the opportunity of noting that, though all marketing dames wore smart boots, many of them had dispensed with stockings.
A sharp distinction seemed to be drawn in the dress of the classes. As we passed the church of San Miguel, troops of ladies who had been attending morning service were leaving it. With almost the uniformity of a livery, they wore black gowns of brocaded satin. Black mantillas covered their beautifully-dressed hair, and in addition to their rosaries, each carried a fan.
Our temporary shelter chanced to be close to the gate of Santa Margarita, and when the rain cloud had passed over, we went near to read the inscription graven in Spanish on the stone on one side of the gateway:--
_By this gate entered into the city on the 31st day of December, 1229, the hosts of King Don Jaime I. of Aragon, Conquistador of Majorca. As a remembrance of that memorable occasion, on which Majorca was restored to the faith and civilization of Christianity, this gate, called "Bab-al-Kofol" in the time of the Islamite dominion, since then "Esuchidor" and "Pintador," and in modern times "Santa Margarita," was declared a national monument on the 28th of July, 1908, and restored at the expense of the State._
The records of the more ancient races who inhabited the island seem to have almost vanished. The Gymnesias, known as the people whose gracious climate rendered the wearing of clothes a superfluity; the Phoenicians, the Romans, even the Balearic slingers, are well-nigh forgotten, while memorials of the valiant young King of Aragon meet one at every turn.
Hunger sent us back to the hotel to have our first experience of the Majorcan cookery for which it is justly noted.
The cheerful dining-room opened into the square courtyard, whose walls were striped in broad lines of blue and white like the bandbox of a French milliner. On each of the six tables was a large decanter of red wine.
The first dish set before us required a certain amount of courage to tackle. It was a mound of amber-tinted rice in which was visible a weird conglomeration of fish, flesh, fowl, and chopped vegetables. The queer part was the preponderance of empty seashells, for while their contents had doubtless become incorporated with the other ingredients, the empty shells remained insistent and uninviting.
But hunger had made us reckless, and on venturing, we found the _arroz con mariscos_ worthy the national esteem in which it is held. Highly seasoned meat of some sort followed. Then came delicately-cooked little fish; then something that defied us to discover whether it belonged to the animal or the vegetable kingdom. There were no sweets, but the dessert was abundant and delicious. Apricots, curiously exotic-looking apples that were streaked with crimson on a pink ground, great clusters of little yellow grapes that seemed as though the sunshine were imprisoned in their skins, and the tempting little baked almonds that are a speciality of Barnils'.
The rain, that in a few minutes had turned the narrow streets into rivers, had ceased as suddenly as it began. The sky was again a deep glowing blue, and the pure soft air was a pleasure to breathe, when ascending a stair we found ourselves on the flat roof of the hotel, which commanded an extensive view over the city. About us were many flat Moorish roofs, some used as gardens, others bearing great cages full of pigeons. To the south was the port with its gay display of shipping and the sparkling waters of the Mediterranean. To north, east, and west, the towers and domes and city walls encircled us. Beyond were the fruitful plains, and farther still the blue mountains.
Around us rose the softened murmur of the town, the chiming of bells, the whisper of the sea, the sound of voices speaking in strange tongues. All was charming, novel, and wholly delightful.
Chopin's description of Palma, written seventy years ago when, with George Sand, he spent a winter in Majorca, needs no correction to-day:--
"Here I am at Palma," he wrote to his friend Fontana, "in the midst of palms, and cedars and cactuses, and olives and oranges, and lemons and figs and pomegranates.... The sky is like a turquoise, the sea is like lazuli, and the mountains are like emeralds. The air is pure like the air of Paradise. All day long the sun shines and it is warm, and everybody walks about in summer clothes. At night one hears guitars and serenades. Vines are festooned on immense balconies. Moorish walls rise all about us. The town, like everything here, looks towards Africa. In a word, it is an enchanted life that we are living."
Soon after midnight a deep sonorous cry awoke me from the sleep of the pleasantly fatigued:--
_Alabado sea Dios.... Las doce y media.... Sereno...._
it rang out in the stillness.
Jumping out of bed, I reached the open window in time to see the passing of a black figure wrapped in a great cloak, the rays from the lantern he carried throwing a wavering circle of light on the pavement beside him. It was the _sereno_, the guardian of the sleeping city.
Pausing before one of the closed doors, he smote on it three times with his staff. Then he turned, and passed out of sight, his long wailing cry again rising into the night.
Palma was gay with bunting in honour of the birthday of the young Queen of Spain, when on the afternoon of our second day in Majorca we set out to deliver a letter of introduction that was fated to have an important influence on our future arrangements.
Mary Stuart Boyd opens The Fortunate Isles with a forewarning from a fellow Briton who insists she will not enjoy the Balearics—then promptly sails there anyway. This contrarian gesture sets the tone for a narrative that values firsthand experience over received opinion. Throughout, Boyd's prose oscillates between lyrical landscape painting and dry, understated humor, as when she describes a supper of fried eggs, cutlets, and membrillo jelly as an "outré combination." Her husband A. S. Boyd's illustrations—eight colour plates and fifty-two pen drawings—complement the text with visual specificity, capturing patios, windmills, and street scenes that the author describes in equal detail.
Diction of Disappointment and Delight
Boyd's vocabulary frequently registers small failures and qualified pleasures, a pattern that distinguishes her from boosterish travel writers. Searching for rare shells in Alcudia Bay, she finds them "very small, very fragile, and almost colourless; most, indeed, were pure white and nearly transparent." She admits, "I confess I was disappointed." Yet she immediately qualifies: "it was the only point on which Alcudia did not far exceed any expectations." This rhetorical habit—conceding a letdown only to counterbalance it—appears repeatedly. At the Moorish tower, she notes the "comparative failure of my search" but blames the calm weather rather than the location. Such precise, conditional language suggests a narrator who trusts her senses but distrusts easy enthusiasm, preferring to earn her pleasures through honest observation.
The Voice of the Party
Boyd rarely travels alone; her companions—"the Man" and "the Boy"—appear as silent presences whose actions advance the narrative. The Boy rows the punt, picks her up, navigates sandbanks; the Man awaits their return. Yet neither speaks in the excerpts. This asymmetry creates a curious effect: Boyd is both the observing eye and the chronicler of a collective experience, but she alone voices it. When she describes climbing the tower, the first-person plural dominates: "we mounted the steps," "we found ourselves standing in the open air." The group's shared wonder—"the whole lovely world seemed to belong to us"—is rendered through a single consciousness. The reader never learns what the Man or Boy thought, only what Boyd inferred from their actions, a narrative choice that foregrounds her interpretive authority.
Architectural Description as Historical Inference
Boyd's descriptions of buildings are never merely visual; they become occasions for speculative reconstruction. At the Moorish tower, she notes the "wide chimney-corner, where a host might have gathered round the blazing logs," and immediately confesses: "I never see an ancient dwelling without experiencing a keen desire to know what manner of folks were the first to kindle a fire on the deserted hearth." She then traces the defensive logic of the structure—the "cunning opening" above the entrance, the embrasures for defenders to dart into after aiming missiles. Her language shifts from present-tense observation to imagined past action: "Besiegers essaying to storm the door must have fallen easy victims." This blend of precise architectural detail ("two chambers and a draw-well") with empathetic historical conjecture gives her travelogue a meditative depth beyond mere itinerary.
The Mediterranean Palette
Boyd's colour choices are unusually specific and often unexpected. The mountains at Alcudia "glowed warm heliotrope and pink in the strong sunshine." Later, after sunset, "the sky still held a thousand glorious hues." She does not settle for generic "golden" or "azure"; instead, she reaches for heliotrope, a purple-violet, and pairs it with pink, a combination that feels both natural and painterly. This precision extends to water: the sea is "so clear that we could see every grain of the sand, every spray of seaweed, beneath." The clarity becomes a simile for memory—"as though the intervening decade had slipped back" to Pacific Islands. Boyd's palette thus serves double duty: it renders the Balearic landscape with fidelity while also anchoring the narrator's personal history, linking present sight to past experience through the discipline of exact description.
Readers approaching The Fortunate Isles should attend to Boyd's habit of undercutting her own expectations—she is as likely to record a failed shell hunt as a sublime vista. Her prose rewards those who notice small, precise details: the colour of a mountain at dusk, the arrangement of a chimney corner, the composition of an improbable supper. The illustrations by A. S. Boyd offer a visual counterpart to this observational mode, grounding the text in the specific geography of Majorca, Minorca, and Iviza. Treat the narrative as a series of discrete encounters rather than a continuous journey; Boyd's strength lies in the moment, not the itinerary.
There’s something tender in how Boyd’s travel notes hold a place, letting small details—a doorway’s shadow, a ferry’s pace—speak for themselves. I found that same quiet patience in Appearances: Being Notes of Travel — Inside the Classic, as if both books were letters from a slower afternoon. It makes me miss the days when noticing felt like enough.
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Anthony Carter
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